In hindsight, I think the main reason I didn’t have any interest in reading as a teenager was that – in my experience anyway, a lot of books directed primarily towards adolescent girls, tended to have a strong sappy romantic sub-plot; and being the cold-hearted cynic that I was/am, I genuinely believed that it was impossible for a novel to have romantic themes and not be a complete load of dull shite.
And while yes, I still wouldn’t be caught dead reading Romeo and Juliet (YOU’RE THIRTEEN, you will meet other people! A bit of get the fuck over it is in order), I’m proud to say that my palette has slightly widened over time. I won’t automatically dismiss reading something anymore based purely on the knowledge that a loved-up couple will be featuring a lot in it.
Don’t get me wrong, if a book isn’t a little dark, I will probably lose interest, BUT I’ve learned not to be so narrow minded. Falling in love is a big theme, and of course not every single fictional representation of it, is doomed to feel simplistic and clique. So here are a few fictional couples whose stories have helped me broaden my horizons.
Robert and Maria (For Whom the Bell Tolls, 1941)
This is such a beautiful book, seriously get on it.
Inspired by Hemingway’s own experiences traveling across Spain, reporting on the Spanish Civil War; For Whom the Bell Tolls takes place over the course of four days, and tells the story of an American volunteer Robert Jordan, who must blow up a bridge of strategic importance behind enemy (Fascist) lines.
For the offensive attack to be successful, the bridge needs to be blown up at a minutely specific time; and the story begins with Robert meeting a small group of guerrilla fighters, living within the mountains, who have been assigned to help him.
This group includes Maria – who they found in a horrifically traumatized state and took in. The cruelty inflicted on her, following the Fascist takeover of her town, is still a very fresh wound – yet her gentle demeanour hasn’t been poisoned. She and Robert are instantly drawn to each other and from the first night they are an item.
What’s particularly poignant about their relationship, is that while it moves fast as a consequence of the immense instability surrounding them, it feels realistic because Robert is frequently ruminating whether his passion for Maria is genuine, or if his feelings have only been intensified by the knowledge he could easily die during this mission.
Although some contemporary criticisms feel that Maria’s character is far too one-dimensional: factoring in its cultural/historical context, I’m not sure if that’s a fair assessment. But I would’ve loved to have known more about Maria’s personality outside of Robert.
Stephen and Mary (The Well of Loneliness, 1928)
As my previous blogpost on The Well of Loneliness, focused more on its obscenity trials rather than the book’s actual story, I figure I could talk about it here without doubling up.
Now the reason you’ll feel particularly invested in Stephen Gordon and Mary Llewellyn’s happiness is because prior to meeting each other as ambulance drivers during World War I, the novel details all of Stephen’s personal history.
Her incapacity, growing up, to comprehend her difference, her crippling loneliness, her unrequited obsession over a married neighbour, her mother’s eventual disownment of her – all of these experiences, despite the long held criticism that this book hasn’t aged well, have a deep, and timeless resonance. Plus, having a nuanced understanding of who Stephen is before she finds love, means as a reader you have a greater impression of how much Mary enriches her existence.
Another great quality of this class piece of literature is Hall’s additional effort to highlight the strong class element that restricted the freedom of queer women during this time. In the story Mary and Stephen are close friends with another lesbian couple, Jamie and Barbara, whose choice to live as a couple has left them ostracised from their small village destitute and ‘starvation poor’. As well as their influence on the overall plot progression, Jamie and Barbara’s existence within the story is vital because it highlighted the freedom Stephen’s wealth had given her.
Jean and Helene (The Blood of Others, 1945)
I was debating for a bit whether or not Jean and Helene belonged on this list, given technically it’s really not a love story – more an exploration into personal responsibility and what we owe other people. But when I read it years ago, I remember it partially strengthening my own, very limited, understanding of why certain things had turned to shit. And that’s pretty impressive from a book that’s premise was completely unknown to me before starting it (my motives for reading it were basically – I wanted to read some Simone de Beauvoir and it was the thinnest book I could find).
Set within a German occupied France, and like For Whom the Bell Tolls, also inspired by Beauvior’s own personal experience working for the French Resistance: The Blood of Others is the story of a brief affair relived through a succession of flashbacks, as the main protagonist, Jean, watches his former lover Helene, die of a gunshot wound (he wasn’t the one who shot her by the way, it was a French Resistance related accident).
What’s central to Jean and Helene’s story is that Jean is never sure that he loves Helene, yet he tells her he loves her anyway because he is fascinated by how Helene’s happiness becomes dependant on this imperfect understanding she has of him. In other words, it’s the classic existentialist mind-fuck where it dawns on you that you can only know a person to an extent.