So I only just found out recently that my home town’s Mill Market – which might I add was already pretty wicked to begin with – inexplicably has a bunch of Wolf Creek props round the back – -WHAT? There’s just so many follow-up questions! Who was the weirdo/hero who bequeathed that shit to the city of Ballarat of all places? And why am I just hearing this news now?
We’ll talk about something else now, I’m just still reeling from that discovery.
Anyway speaking of Australian films, there’s one out at the moment called Ladies in Black (and sadly no, the guy from Packed to the Rafters doesn’t get tortured in this one too – what a bitter let down. I SAT THROUGH THAT SHIT FOR NOTHING!!!!!!!!!*), which is based on the first novel of Madeleine St John – the first Australian woman to be shortlisted for the Booker Prize for Fiction.
Now I’ve not read The Women in Black – it looks a bit too heart-warming for my taste (plus a whole book of Sydney people making snooty remarks about how shit Melbourne is? Yeah nah), but it has got me thinking about other great Australian reads which I devoured and that are definitely worth a gander, they’re in no particular order.
Heat and Light (Ellen van Neerven, 2014)
Normally short story collections aren’t really my cup of tea, but each of these felt equally enthralling and left me wanting to know more. Plus there’s the right amount of shared consistency connecting these stories, which is impressive given how stand-alone they otherwise appear.
Split into three sections – ‘Heat’, ‘Water’ and ‘Light’ – each story regardless of section touches on themes relating to sexuality, contemporary aboriginal culture, family, heritage and identity.
In particular, the way the longest story in the collection, ‘Water’ , utilises fantasy to explore heritage and roots is striking and poetic.
Axiomatic (Maria Tumarkin, 2018)
This is a confession, but embarrassingly prior to reading this I wasn’t actually familiar with Maria Tumarkin. The whole reason I bought Axiomatic was that it happens to have a really gorgeous cover – so yeah I’m that shallow.
Anyway unavoidably, since going into Tumarkin’s most recent book completely fresh, it has sparked the big search for every other bit of writing she’s ever done that’s out there.
Segmented into five popular axioms – such as ‘Time Heals all Wounds’ and ‘Those Who Forget the Past are Condemned to Repeat It’ – each saying acts as a springboard into its own distinct rumination of an important – and often overlooked – issue within Australian society.
Eggshell Skull (Bri Lee, 2018)
If I ever have a son I’m making sure he reads this. No exaggeration, calling it powerful just seems like a huge understatement, and everyone I know who’s read this, pulled an all-nighter and finished it in two days tops.
Eggshell Skull is the debut memoir of Bri Lee, which details her time working as a judge’s associate for the Queensland District Court – an experience which gradually forces Lee to fully recognize and confront her own long-repressed memory of the sexual abuse that she herself had survived as a child.
It’s exhausting and heartbreaking reading the extent of sexual abuse cases Lee is faced with during – what was only a year – of her time working for the District Court.
And reading it, I was just in complete awe of the strength it must have taken to be witnessing on a daily-basis, what the process looks like for victims who are brave enough to make an official complaint, and how frequently the legal system fails to achieve justice, and yet in spite of that still being prepared to seek accountability.
(Again embarrassingly, I also solely bought this book for the cover, having no idea what it was on – it’s a pretty great cover to be fair)
Oscar and Lucinda (Peter Carey, 1988)
Basically, the main reason I connected with this book when I read it five years ago was that the character Oscar Hopkins reminds me a touch of myself – in that he’s a fidgety, painfully socially awkward type who get’s too easily fixated on things (Oscar has a strict and conservative upbringing raised by a Plymouth Brethren minister though, so I don’t know what my excuse is).
Set in the mid-nineteenth century, Oscar Hopkins and Lucinda Leplastrier are two misfits who find each other on a ship heading from England to Sydney. Oscar is a trainee Anglican minister and Lucinda is the owner of a lucrative glass factory in Sydney, and their friendship essentially revolves around their mutual obsession with risk and gambling.
Without giving spoilers, the two things I particularly loved about this book were,
- the underlying influence of timing, and how the two characters lived such parallel lives and could have been perfect for each other, yet they are ultimately victims of both circumstance and their own inherent shyness (shit sorry that is a big spoiler – I suck)
- that whole idea of a church made of glass seems pretty cool – you could work on your tan and do some praising!!!
[*how shit was Packed to the Rafters though?]